What is the mark that looks like a slur but with straight lines, not curved











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In "Curtain Call" by John Wasson, the oboe part (and others) includes an articulation mark that I'm not familiar with. It looks like a slur, but the up and down are straight lines, instead of curved.
enter image description here



Could somebody explain to me what I'm supposed to be doing here? I've been playing it as a bit of a bend, but I'm not convinced that's correct.










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    up vote
    7
    down vote

    favorite












    In "Curtain Call" by John Wasson, the oboe part (and others) includes an articulation mark that I'm not familiar with. It looks like a slur, but the up and down are straight lines, instead of curved.
    enter image description here



    Could somebody explain to me what I'm supposed to be doing here? I've been playing it as a bit of a bend, but I'm not convinced that's correct.










    share|improve this question


























      up vote
      7
      down vote

      favorite









      up vote
      7
      down vote

      favorite











      In "Curtain Call" by John Wasson, the oboe part (and others) includes an articulation mark that I'm not familiar with. It looks like a slur, but the up and down are straight lines, instead of curved.
      enter image description here



      Could somebody explain to me what I'm supposed to be doing here? I've been playing it as a bit of a bend, but I'm not convinced that's correct.










      share|improve this question















      In "Curtain Call" by John Wasson, the oboe part (and others) includes an articulation mark that I'm not familiar with. It looks like a slur, but the up and down are straight lines, instead of curved.
      enter image description here



      Could somebody explain to me what I'm supposed to be doing here? I've been playing it as a bit of a bend, but I'm not convinced that's correct.







      notation articulation






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      share|improve this question













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      share|improve this question








      edited Nov 16 at 17:33









      Richard

      35.5k677151




      35.5k677151










      asked Nov 16 at 17:19









      SarekOfVulcan

      21315




      21315






















          1 Answer
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          This is called the shake! It adds a short grace figure to the transition to the second note like this:
          enter image description here



          Always start the shake figure by holding the first note slightly.
          For a descending shake you then go up a step, back down to the first note, then to the second note. Notice in your example the second note of each shake has a teepee articulation, so honor that.



          On brass the shake is done with the lip.






          share|improve this answer























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            1 Answer
            1






            active

            oldest

            votes








            1 Answer
            1






            active

            oldest

            votes









            active

            oldest

            votes






            active

            oldest

            votes








            up vote
            9
            down vote



            accepted










            This is called the shake! It adds a short grace figure to the transition to the second note like this:
            enter image description here



            Always start the shake figure by holding the first note slightly.
            For a descending shake you then go up a step, back down to the first note, then to the second note. Notice in your example the second note of each shake has a teepee articulation, so honor that.



            On brass the shake is done with the lip.






            share|improve this answer



























              up vote
              9
              down vote



              accepted










              This is called the shake! It adds a short grace figure to the transition to the second note like this:
              enter image description here



              Always start the shake figure by holding the first note slightly.
              For a descending shake you then go up a step, back down to the first note, then to the second note. Notice in your example the second note of each shake has a teepee articulation, so honor that.



              On brass the shake is done with the lip.






              share|improve this answer

























                up vote
                9
                down vote



                accepted







                up vote
                9
                down vote



                accepted






                This is called the shake! It adds a short grace figure to the transition to the second note like this:
                enter image description here



                Always start the shake figure by holding the first note slightly.
                For a descending shake you then go up a step, back down to the first note, then to the second note. Notice in your example the second note of each shake has a teepee articulation, so honor that.



                On brass the shake is done with the lip.






                share|improve this answer














                This is called the shake! It adds a short grace figure to the transition to the second note like this:
                enter image description here



                Always start the shake figure by holding the first note slightly.
                For a descending shake you then go up a step, back down to the first note, then to the second note. Notice in your example the second note of each shake has a teepee articulation, so honor that.



                On brass the shake is done with the lip.







                share|improve this answer














                share|improve this answer



                share|improve this answer








                edited Nov 16 at 17:56

























                answered Nov 16 at 17:40









                Richard Barber

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